Page Contents

1| Excerpt from Hoarder

2| Human Resources

3| Death of Girlhood

4| Guitar

5| Excerpt from Prima Donna

Excerpt from Hoarder

We don’t laugh when we talk about how we used to live. come to HR. I still swipe my hand across my arm when I think I feel something crawling on my skin. At the old house, cobwebs would grow into fine felts, collecting insects.

A house full of old shoes, children’s toys, and anything and everything you might need, but only two people lived there. Entering felt like taking a stroll through a dustpan. The air was thick with grit, leaving a persistent sandy taste in my mouth and a chalkiness in my lungs.  I’d shuffle sideways through the narrow openings of rotting objects to the living room where I’d see my mother lying on the couch. She’d sometimes be like that for five days straight, with old black and white movies playing on the TV. After the fabric on the couch began turning brown beneath her, she started tearing pages from old magazines laying them over the stained fabric. The scent of perfume ads mixed with stale, damp body odor, wafted through every room. When she got up, the magazine pages stuck to her thighs, giving her the look of a half-plucked chicken. The collections of objects grew up the walls. Piled high around her were fifty years of knickknacks and society’s expectations of what kind of woman she should be. So much “stuff,” that really had no use. 

I’d arrive at school, greasy haired and in stale clothes. I saw a debate in the teacher’s eyes as I walked into the classroom. Do we report? Is it worth the trouble? Would that be better for the student? They couldn’t know my mother and I showered in the backyard with a garden hose because the bathtub was overflowing with mother’s darling findings. They couldn’t know the microwave was covered in a thick coat of oil and grease, dead ants stuck to it like toy dinosaurs lined on a shelf. She told me to stay out of sight when the women in blazers came knocking, clipboards in hand. It wasn’t hard finding a hiding place. I’d peer at them from tiny spaces between cardboard boxes. The next day I’d tell my mother how they aren’t going to let me keep living here if she keeps all this in her house. She moved the furniture to block the windows.

One cloudy morning, a doe, with its long neck, peered over the furniture into the foyer window. She was curious about the decay happening inside. After a bad hurricane, the house seemed to sink a little into the soil. A week later I found a green vine sprouting through one of the visible floorboards. It wouldn’t be long now, till the house sunk below sea level and the walls would give in, buried. 

The day before I left for college, I walked barefoot in the heavy Florida air along the exterior and laid flat on the Saint Augustine grass, the top of my head against the house. Raindrops fell from the palmetto leaves. I felt them land on my body.  Grey clouds in the windows above me, and I could feel them drift into my eyes like two cool river streams. They waterfalled from the back of my eyes, down my throat but, after that, I’m not quite sure where it goes.

Ten years later, I still can’t get clean.

Human Resources

Welcome to HR. I never intended to work for a fashion company but a month after I started here, the company owner suggested I lay off my direct report and add her pay to my salary. So I decided to stay. 

This office uses an open floor plan. There are no wall dividers. Employees can see and hear each other from anywhere in the building. Once, an accountant tried tapping a poster board to the edge of her desk to hide behind. I immediately confiscated it. It’s still in my office.

Over there is Kamille, Senior Textile Designer. Kamille eats only one bowl of leek soup a day to lose weight before her wedding. If you must speak to her, open the conversation with a quip about how thin she looks. Across from her is Marie, the new Assistant Textile Designer, fresh out of college, twenty-three, who is very thin despite eating pasta every day. Half the women in the office do not like Marie because of this.

The Senior Women’s Wear Designer, Estelle, sits in the corner over there. On her desk are two teacup chihuahuas that she dresses in different outfits every day. She bought them on the internet one night while online shopping after her gynecologist told her that she couldn’t have children. Both dogs have deformed jaws making their tongues hang out the sides of their mouths. 

Claire, Associate Women’s Wear Designer, sits at the adjacent desk. Last week we celebrated her twenty-fifth birthday in the office with acai popsicles. Her fifty-year-old boyfriend drops her off at work because she’s afraid to drive. He also pays for her apartment. The other Associate, Chrissy, shares a one-bedroom apartment with three other girls. She sometimes eats canned salmon, straight out of the can. If you smell something like dog food around lunchtime, it’s probably her. 

Be sure to wear at least one article of clothing from the company every day. Doing so shows that you support the company, and will help you fit in with the culture. Jeans start at $250 and blouses at $220.

The bathroom walls are floor-to-ceiling mirrors. In the handicap stall, you can watch yourself pee. Take all the time you need to look in the mirror. Correct any imperfections before returning to work. Ignore the sobs coming from the center stall. That’s Marie, the new assistant. She’s here almost every time I have to use the bathroom.  Sometimes she’s pacing the room, other times she’s staring at herself, hyperventilating on the wall. “Why doesn’t my hair grow anymore?” I’ve heard her ask to her reflection. Another time I came in to see her applying eyeliner with a shaky hand while crying. Her tears washed away the makeup faster than she could redraw it. Black pools ran down her cheeks as she continuously reapplied in between whimpers. I told her waterproof eyeliner would solve her problems, but this just made her cry even harder. I don’t know why I even bother. 

Paul, I.T., is in the center of the building. If your laptop is having technical problems, I recommend trying to fix it over email. If you go to his office, he tends to stand very close to women when he talks to them. 

Over there is Andrea’s desk, the owner. She likes to be in the open space with the rest of the designers. She usually comes in around 11 am and leaves by 1 pm. Today, she is back in the office after being out all last week. She has vases of dead roses on her desk. They were gifted to her by her husband before she caught him with a younger woman in their bed. Her desk faces Marie, the Assistant Textile Designer. I’ve noticed Andrea glaring at her.

Now, we see Marie, still teary-eyed, walking from the bathroom towards my office. For the last two weeks, her sleep paralysis demon has been following her to work. It towers behind her desk as she works at her computer.  I immediately emailed her the employee pet policy, saying that she must first register the pet and that all pets are required to wear a flea collar. This is a fashion house full of clothing, for peat’s sake! Bed bugs and fleas would be the end of us. Last week I tried slipping a flea collar on it as it bent down to fit in the office entrance, but I couldn’t get the collar past its ears. 

Kamille, Marie’s boss, has requested I make her leave the company and Andrea agrees. Lay her off? Heavens no, if we laid her off we would be liable for severance! When she walks into my office her boss and I will greet her with a printed list of grievances. One of the bullet points says she takes too much time off for doctor’s appointments. Another says she sometimes forgets to ask her boss for permission to leave at the end of the workday. None of the items on the list are violations of her contract, but that doesn’t matter. After she reads the list, I’ll tell her this requires disciplinary action and give her a two-week work suspension, no pay. This is her first job out of college, we can get away with these types of things. She can’t survive two weeks of no pay, so she’ll quit, on the spot. 

And that’s exactly what happened. 

 “I can’t do this anymore. I don’t want to work here.” she croaked as she started sobbing again. This was all choreographed perfectly and I got what I wanted. I couldn’t help but smile to myself. Her former boss and I watched her for a minute. Eventually, her breathing slowed, her eyes closed and she slumped into her chair. Her sleep paralysis demon, who had been waiting outside my office door, reached its hand in and dragged the girl by her shirt collar out of the chair, across the floor, past the designers’ desks, and out the main entrance. That's the last time I ever saw her. I assume she found another company that was a better fit for her. 

Death of Girlhood

My bathroom floor’s flesh-colored tiles were sweating from my breath. My face peeled from the tile when I reached for the toilet. My face felt hot and sticky from tears but I never let my sobs get loud enough to be heard outside the door.  

An hour prior, my family had just finished dinner. My mother and father did not speak to each other the entire meal and never made eye contact. My father tried to fill the space with talk of what he did at work that day. The air felt thick. I held my breath. 

“Your mother and I need to spend some time apart. Your mother does not agree…” 

“No,” was the only word she uttered that night. 

“ …but I think it best. You girls will stay with your mom.” 

All five of us, my mother, father, and three girls, looked down at the center of the table, not seeing. If a neighbor was watching us through the window, he’d think we were praying. My throat became tense and my breathing irregular. I fought the feeling and tried to force it back down into my chest, but it only rose higher. I was turning thirteen that summer and was beyond the age of crying in front of my two older sisters and parents but, tears still escaped my eyes. My father pulled me onto his lap. He had never done this before and I felt heavy and clumsy sitting on his bony legs, very aware that the others were watching me.

My father started talking again but hearing his voice with my ear on his chest felt rattling. Lingering smells of diesel and beer filled my nose. He loosened his arms around me for a moment and I left for my room, taking care to shut my bedroom door quietly but not bothering to turn on the lights before I landed on my bed, alone in the dark. 

There were sounds of chairs scraping against the floor and dishes being picked up. My father’s voice was a low storm over the sound of shuffling plates. 

“This is your fault.” rang through the pillow over my head.  

His voice was the only one I heard but I’m sure my mother was the one moving the plates. I heard him walk towards the front door, a long pause, then the door opened and closed behind him. For a moment, the tension in my body released me and I felt myself sink deeper into my pillows.

Outside my door, I heard my mother crying. My room lit up from the doorway as she walked in. I hid my face in my arms and felt her weight on my bed as she lay beside me. She tried to hold me but her tears dripping onto my arm felt gross, so I pulled away from her. I didn’t want this. 

On the bathroom floor, the only room with locks in the house, I had been working hard to silence my cries but the walls started to breathe and sweat like the tile beneath me. My stomach felt like clothespins were clipped to my intestines. I reached for the toilet. I could taste the bile in my throat. I stared at the bottom of the bowl and waited to puke but it never happened. After a while, I sat on the toilet. The toilet paper whipped red from me. I was certain I was dying until I remembered what others had told me about my body. 

It’s started. Welcome to womanhood.

Guitar

Spruce is the best wood for sound, but my guitar is pine.  An antique, but notoriously difficult to work on because of a lack of standardization at the time of production. Its small size makes it a quiet guitar that rarely raises its voice, except when you try to tune or change its strings. It screeches like a ship’s hull as you turn its pegs and occasionally pops new strings under your hands, leaving little cuts and beads of blood. But once the new strings have time to stretch and settle its tone is even and consistent. When it was gifted to my father as a child, the guitar’s thin neck allowed his hands to touch the strings.

At 10 years old my father learned the Malaguena on this guitar, then taught me once my fingers could reach the frets. Before the deployment, he sat beside me and held my hand to the guitar’s neck. His fingers were so much bigger than mine; I wondered how they ever fit on the narrow strings. When he arranged my fingers on the fretboard I saw the same bump on his left index finger as I had from playing. If we were the same age, our palms facing up would show the same pattern of callouses and lines.  

After school I’d sit on the living room floor, the guitar in my lap, plucking it’s strings. When my hands tired, I’d roll onto my stomach, resting my chin on the guitar’s face as I watched the war rage on TV.  The soundhole smelled like old family photo albums. The TV screen showed troops in beige uniforms patrolling desert cities made of sand. “The Invasion of Iraq,” echoed from the news anchor’s mouths around the sun-filled room. Warm light shone through the tall blue skied windows and illuminated the white curtains. A pair of my father’s boots sat by the door collecting a thin film of dust. While practicing I felt his fingers guiding mine.  

Every two weeks, we received a long-distance call, sometimes from the ship, and sometimes from a port city pay phone. I knew it was the latter when I could hear traffic and yelling in a foreign language in the background. 

“How was school today?” he’d ask hoarsely. 

“Dad it’s Sunday. No school today.” 

My father told me that he also practiced after school when he was young. A boy, small for his age with sun-tanned skin, the guitar in his lap, bright blue eyes on the TV screen. Did he see soldiers with dirty faces in the lush green jungles of Vietnam, wondering if he’d see his father on the screen? Did he rest his back against the couch while sitting on the floor, like I do? Did he wait for a phone call from his father?

While my father was away, a family friend came over to help my mom fix the gutters.

“Oh, honey let me tune your guitar,” he said as he strummed a few chords.

“No, it’s fine!” I insisted, running across the room to take the guitar back. My dad was the only one who could tune the guitar. He would always replace the strings before he had to leave again. 

After college, I decided to move cross-country against my father’s wishes. I had never been west of Texas and wanted to see the country. I called him after my car was packed to tell him I was headed to California, ready for him to recite the same speech he gave a week before about how it was unsafe. 

“What!? This is stupid. You want to become a hippie or something?” he cursed at the receiver. 

“No, I just want to try something new…” I trailed off, scatterbrained from the magnitude of his reaction. He hung up. He didn’t talk to me for a week after that.

When I got to Los Angeles, he called me and offered to fly out and help me get set up in my new apartment. No apology was given from either of us as we moved used furniture and cardboard boxes into my tiny apartment. 

He seemed surprised when he found the guitar leaning against the wall in my closet.  

“You still have this?” he asked, pulling the guitar from the closet.

     “Yeah, I’ve always had it.”

Excerpt from Prima Donna

Even though it was an early evening in September, Paris was still boiling. The horse waste and filth of the city baked on the cobblestone streets like little patties at the bakery. Leena walked with her skirt slightly raised to keep her hem from touching the putrid ground as she dodged the other pedestrians but even so, the smell infested her clothes, hair, and nose. Anyone who walked on the streets without the luxury of a carriage was subjected to the smell. 

It was the busiest time of day, with craftspeople and wash wenches returning to their homes and the drunkards just starting their day, stumbling aimlessly, usually with bottles in hand. Leena clasped Monsieur Fauré note in her pocket, given to her one hour prior during her singing lesson. 

Earlier that day, after she finished her last aria, her voice still echoing through the high halls of the conservatory, Monsieur Fauré informed her she was expected at the Opera de Oleania, the finest opera house in Paris, for an audition. 

“But what is the role?” Leena felt excitement, but also dread.

“I cannot remember. Just be sure to wash at the foyer lavabo before entering.” Monsieur Fauré said with a sigh and unfolded his hand to Leena, presenting a handwritten note.

Leena, now standing in a cramped alleyway facing the grand square before the Opera de Oleania, waited until she was certain no one was watching her and pulled the note from her pocket. In his flowery and nearly indecipherable handwriting, it said:

“September 21st, 1820, Facing the Opera de Orleana and Louis XVI’s statue, follow the columns on the east side of the building until the door facing the columns is visible.”

Leena quickly returned the note to her pocket. Again she glanced around her to be sure no one was watching her. She thought of a toad she saw in the market last week, cowering in a crack of the stone building behind it, petrified as its large round glassy eyes watched the wheeled carts pass by. It seemed to take a deep breath, exhale, then lept from its hiding place. 

“Arrah Ha!” A toothless man yelled as he caught the toad, mid air, bit its little head off, and swallowed it whole. The toad’s innards oozed onto the man’s dirty lapel. 

Leena held the paper note in her pocket, not breathing. Young performers like herself were often targets for theft, or worse, mob aggression. The commoners projected their hatred of the nobility on to their low-born entertainers. Outside the conservatory, Leena did not dare share her occupation with anyone.  

The Opera de Orleania stood from the pristine square as clean and solid as the moon. Its pristine white marble eclipsed the decomposing plaster structures lining the square. 

“Follow to the east,” she repeated to herself but when she looked east, the same direction from which she came, there were no columns. Figuring that her instructor must have meant “left” of the statue, she hurried to the west side of the grand marble structure, the soles of her shoes so worn she could feel the heat of the cobblestone on her feet. When she turned the corner, there were many doors, facing the many columns. A lapis lazuli blue door, a granite green door, and at least 4 brass doors, each with knobs and handles spaced sporadically on each door. Monsieur Fauré mentioned the colored doors during Leena’s lesson but did not say which one the instructions pertained to. Did that mean that the written instructions could be applied to any door? 

“Move the third knob counterclockwise for three rotations then push the first knob to the sky in sight,” was Monsieur Fauré next instruction.

“To the sky in sight?” Leena looked up from where she stood in front of the lapis lazuli blue door. The sky was visible when she looked up. Did that mean to push the knob up? To retain the security of the building, the nobility of Paris required instruction on how to enter the Opera de Orleania to be delivered verbally from an armed footman to the opera instructors. The instructors were the only ones permitted to write this information down, for fear that if a footman were to be intercepted by commoners, the information could be taken and the security of the opera, compromised. The instructions were written in riddles, for an extra layer of security and changed daily. 

Leena did what the instructions asked; third knob counterclockwise, three rotations, push the first knob up

Nothing happened. She looked around her to see if anyone was watching her, then glanced at the note in her pocket but gathered nothing new from the swirly handwriting. The lapis lazuli door was blue, like the sky, could that mean to push towards the door?

 Leena did the same movement with the door but instead of pushing the first knob up, she pushed it into the door. The door did not open. Leena noticed a man watching her from the other side of the square while puffing his pipe. She frantically turned back to the door, moving the knobs in the same order but, again, nothing happened. She let out a huff, feeling her body start to shake, and kicked the door knob in with her right foot.

“Damn you, all seventeen Louises! The sixteenth need not live another year past his 70th birthday for his ridiculous obsession with locks!”

The door remained still as stone. She paced along the wall looking for something resembling a sky but found nothing. When she walked back to the lapis lazuli door she saw a little trail of blood splatters on the white marble tracing her path. Bracing the small dagger she kept in her stocking she turned around expecting to see a violent man with a knife behind her. 

“I’ll be damned if some man thinks he can sell me to Louisiana for one gold piece!”

But no man stood behind her. She noticed a searing pain in her right heel. She raised the heel of her cheap shoe and saw the heal had split in two and one of the cobbler’s nails had pushed itself into the flesh of her heal, with blood flowing from the split heal like a tiny river in a canyon. 

Her eyes welled with tears, partly from the pain and partly from how helpless she felt.

“Why couldn’t Monsieur Fauré give me better direction? That old goat, he did this on purpose to favor his other students!” Leena cursed through the tears now rolling down her face. 

Leena stood on her tippytoes, so as not to push the nail in any further. After wiping her face she looked at Monsieur Fauré’s note one more time. 

“…to the sky in sight.”

To the left of the door was a gas lantern embedded in the white marble. In the back of the soot-dusted lantern, behind the flame, she saw the reflection of the top half of her face, her teary eyes looking back at her. Still on her toes, she stepped back, her eyes on the reflective mirror in the back of the lantern. And there in the angled mirror, was the sky.

“Left!” Leena shrieked.

She leaped on her toes back to the door looking more like a ballerina than an opera singer and repeated the rotation of the knobs as she did before but moved the first knob to the left towards the lantern. She heard something click, weighted gears moving, and the door swung open with a lazy moan.

Leena wasted no time, springing into the Opera de Orleania. She was already running late even before the puzzle of the door. 

“At least,” she reminded herself, “I made it in, alive.” 

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